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POWER
IN EXPOSITORY PREACHING
by Faris D. Whitesell
Chapter 6:
Power Through ILLUSTRATION
A sermon is
virtually worthless without good illustrations. We live in an increasingly
visual-minded generation. If an article in a magazine or newspaper
is not accompanied by photographs or drawings, many readers will not
notice it, let alone read it. This carries over into preaching.
Illustrations are the photographs or pictures that go along with abstract
ideas. Donald G. Smith claims that illustrations in a sermon may serve
any one or more of the following purposes: gain interest, throw light
on the subject, clarify the subject, make truth vivid, strengthen
argument, bring conviction, aid persuasion, make for lasting impressions,
give the sermon splendor, allow for the injection of humor, lend itself
to variety, stimulate the imagination of the audience, permit the
speaker to speak indirectly, appeal to all classes of people, help
to make a good conclusion.1
Psychology claims that we learn about eighty-five per cent through
sight, about ten per cent through hearing, about two per cent through
touch, about one and one half per cent through smell, and about one
and one half per cent through taste. This would certainly argue strongly
for making sermonic material as vivid or picturesque as reasonably
possible.
Expository preaching must embody a large amount of explanation and
application. These two elements tend to be abstract. Therefore, we
need illustrations. On the other hand, the expository sermon will
probably not have as much space to give to illustrations as topical
and textual sermons do. If expository sermons deal with narrative
and action events in the Scriptures, and if the preacher uses his
imagination to build up and present his material, the outside illustrations
can be very few. But if he is dealing with doctrinal and didactic
Biblical matter, he should use more illustrations.
In our questionnaire survey, ninety-four out of 223 pastors had a
major problem finding good illustrations for expository sermons. This
may have included most of those who claimed to be expository preachers,
for only one hundred out of the 223 said that expository preaching
predominated in their preaching programs. Sources of illustrations
for the pastors reporting were:
1.
The Bible: 181
2. Experience:
180
3. Observation:
117
4. Newspapers
and magazines: 102
5. Conversations:
54
6. Imagination:
53 |
7.
Biographies: 51
8.
Their files: 43
9. Radio
and TV: 32
10. Books
of illustrations: 20
11. Literature
and history: 5
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Let us consider some of these sources and give some examples. The
Bible rightly stands first as a contributor of expository sermon illustrations.
In the foreword to his book, Evangelistic Illustrations from the
Bible, this author wrote in part as follows:
Evangelicals
commonly agree that illustrations from the Bible are the best and
that we should all use more of them than we do. Biblical illustrations
have many advantages over others: they teach the Word; they honor
the God of the Bible; they enlist the presence and power of the
Holy Spirit; they open the hearts and mind of hearers in unexpected
ways; they give the speaker added authority; they never wear out;
and they never arouse adverse criticism
. The author does not
claim that all illustrations should come from the Bible, or that
biblical illustrations are the only good ones
. Out of the
total number of illustrations used in a message, perhaps half or
more may profitably come from the Scriptures. For greatest effectiveness,
Bible illustrations should be thoroughly studied and carefully fitted
into the message. The historical imagination ought to be used freely
in order to put life and freshness into biblical events.2
Each Biblical
illustration can be used to shed light upon a number of truths. For
example, take the story of Abraham offering his son Isaac at Mount
Moriah, Genesis 22. This event illustrates faith, love, self-sacrifice,
obedience, the way of salvation, the mercy of God, and Gods
attitude toward human sacrifice.
Personal experience rates almost as high as the Bible as a source
of expository sermon illustrations. There can be no doubt the power
of personal experience illustrations. The speaker has participated,
and his authority can hardly be questioned; he speaks with confidence
and vividness. He must be careful not to use too many illustrations
of this category in a single sermon or a single series, else he seems
a braggart; and he must be watchful of his facts, so that he does
not exaggerate and thus lose the confidence of his hearers. Notice
how great expositors do it.
Harry A. Ironside had a vast fund of personal experiences
and used them freely in his expository preaching. Hardly anyone could
match him as a master user of personal experiences. Speaking on I
Corinthians 6:11, "And such were some of you: but ye are washed,
but ye are sanctified, but ye are justified in the name of the Lord
Jesus, and by the Spirit of our God," he used this illustration:
I went into
a mission in San Francisco years ago and sat for perhaps half-an-hour
listening to marvelous testimonies of redeeming grace. One after
another rose and painted a dreadful picture of his past life and
then told how God had saved him. I had come to that meeting with
a little sermon all made up, but as I sat listening to these testimonies,
I said, "O dear, my stupid little sermon! To think I imagined
I could go into my study and develop a little discourse that would
suit a congregation like this, when I had no idea of the kind of
people I was going to address." So I just "canned"
my sermon; I put it out of my mind, and when I rose to speak, I
took this text: "And such were some of you: but ye are washed,
but ye are sanctified, but ye are justified in the name of the Lord
Jesus, and by the Spirit of our God." It was easy to preach
to them then without a lot of study. These sermons that you get
up are so hard to preach, but those that come down are so much easier.
At the close a dignified personage came to me and said,
"Do
you know, you got your theology terribly mixed tonight?"
"Did
I?" I said. "Straighten me out."
"You
put sanctification before justification. You have to be justified
and then you get the second blessing."
"Pardon
me, but you are mistaken," I said. "I did not put sanctification
before justification."
"You
most certainly did."
"I
most certainly did not; it was the apostle Paul who did."
"Why,
you cannot blame your wrong theology on him."
"I
was simply quoting Scripture."
"You
misquoted it. It reads, Ye are justified, ye are sanctified.
"
"No,
no," I said; "read it."
And he
began to read,
"But ye are washed, but ye are sanctified, but ye are justified,"
and then he said,
"Why,
there is a misprint there. Wait a minute; I will get a Revised
Bible."
He got
it and looked at it, and read, "Washed,
sanctified, justified."
"Why,"
he
said, "I
never saw that before; but all I have got to say is the apostle
Paul was not clear on the holiness question when he wrote that!"3
Let us not hesitate to use personal experience illustrations if they
are modest and will do the job better than others. And, let us not
feel that we have to beg pardon or apologize for using them. People
do not feel embarrassed to use illustrations from personal experience
in private conversation. Why should they in public proclamation?
Illustrations from observation can often be used. These have
not been experienced but have been seen in nature or the experience
of others. They stand next to personal experiences in effectiveness.
J. H. Jowett, commenting on Philippians 1:12 about the furtherance
of the gospel, wrote: "Some time ago, I saw a railway embankment
on fire, and the mercilessly invading flames were, inch by inch, consuming
every blade of grass upon the slope, until a great area was black
in unrelieved destruction. Some weeks later I passed by the same place,
but instead of the scarred and blackened ruins there was a wide patch
of fresh and most winsome green. Where the fire had burnt most fiercely
the recreated slope was the most attractive. The things that
happened unto it, had fallen out rather unto the progress
of vegetation. God is love, and therefore He is a
consuming fire. "4
Note the choice use of words and the accurate application of this
illustration from observation.
While we are
thinking of Jowett, let us learn from him that illustrations can be
very short. Here are some others from his volume on Philippians:
He (Paul) had
a fine eye for the lineaments of grace, and he could discern the sproutings
of holy desire, even when they were buried beneath the refuse of sin
and long-continued negligence.5
He nourishes
the tender sapling into the majestic oak, and the one gracious sunshine
is showered upon both.6
We are always
optimistic about the people who dwell in our hearts. When they only
dwell in the suburbs of our regards we soon lose hope concerning them
.7
There is love
which is as candle-light; there is love which is as steady starlight;
and there is love which is as the glorious splendour of the noonday
sun.8
Picnic weather
does not reveal the sea-going powers of a liner; these are tested
and made manifest by the tempest.9
Our prayers cut
channels for the river of Gods gracious Spirit.10
Marcus Dods uses
historical imagination well in an illustrative capacity. He is discussing
Jesus washing the feet of His disciples:
Instead of unmasking
him (Judas), Jesus makes no difference between him and the others,
kneels by his couch, takes his feet in His hands, washes and gently
dries them.11
Shame and astonishment
shut the mouths of the disciples, and not a sound broke the stillness
of the room but the tinkle and splash of the water in the basin
as Jesus went from couch to couch. But the silence was broken when
He came to Peter.12
Jesus could
very well have eaten with men who were unwashed; but He could not
eat with men hating one another, glaring fiercely across the table,
declining to answer or to pass what they were asked for, showing
in every way malice and bitterness of spirit.13
Every expository
sermon should draw illustrations from several sources. In W. B. Rileys
sermon on I Thessalonians 5:1-20, "Preparation for the Second
Appearance," he uses twelve brief pages, for seven major illustrations
and one minor one. The major illustrations are: W. L. Pettingillone
page; a motorist picking up a hitchhikernearly one page; Moseshalf
a page; the Duke of Wellingtonone third of a page; John Bradfordhalf
a page; James Gilmour, half a page; Benjamin Franklinhalf a
page. The minor illustration is in the conclusion, about Emperor Tiberius,
and uses five lines.14
It is often possible to get illustrations from the use of
Greek or Hebrew words. A. T. Robertsons set on Word Pictures
in the New Testament gives many examples.
J. D. Jones, speaking of tears of Jesus, John 11:34-35, says:
"The verb he used to describe the weeping of Mary is the word
klaio, the verb he uses to describe the weeping of Jesus is
the verb dakriuo. Now, the difference between the two verbs
is something like this: klaio suggests loud and convulsive
lamentation, sobbing, and wailing; dakriuo suggests the silent
shedding of tears. Mary wailed. But of Jesus, the Evangelist
only says that tears fell from him."15
Alexander Maclaren used quite a few very short illustrations,
and hardly any long ones. Looking casually through his volume on Luke,
chapters 13-24, we notice these:
when wealth
has flung its golden chains round so many professing Christians.16
Peter shoves
his oar in, after his fashion.17
The Cross was
flinging its shadow over him. He was bracing himself up for the
last struggle.18
He would have
trodden down all such flimsy obstacles as a lion "from the
thickets of Jordan" crashes through the bulrushes, but this
cry stopped Him, "Jesus, thou Son of David, have mercy on me."19
But when blind
Bartimaeus cried, Jesus smiled down upon himthough his sightless
eyeballs could not see the smile, there would be a smile in the
cadence of His words
.20
If any poor,
blind Bartimaeus remembers that, and asks accordingly, he has the
key to the royal treasury in his possession, and he many go in and
plunge his hand up to the wrist in jewels and diamonds, and carry
away bars of gold, and it will all be his.21
G. Campbell Morgan
seldom used stories and personal experiences for illustrations. He
knew how to weigh and balance words and turn his Scripture material
into illustrations. In his sermon on "The Unchanging One,"
Hebrews 13:8, we see these brief illustrations: "We need a center
of permanence, not an anchorage. An anchorage means limitation and
monotony. An anchorage belongs to a ship and is a hindrance to the
ship. The tug of the ship to be away from the shore and out upon the
sea is of its very nature and being, and the anchor holds it back.
We are not asking for an anchorage."22
"We look to our friends, and the story is tragic. The
air is full of farewells to the dying. We look to circumstances, and
there is neither anchorage that holds nor freshness that satisfies
the soul. Where are we? Great God! Where are we? We must find anchorage
in that broader sense of the word somewhere. Where shall we turn?"23
In Morgans
sermon on "The Madness of Jesus," Mark 3:21, we find these
vivid passages:
If you journey
with Him imaginatively through the fields, and the walled-in town,
and the country towns, and the great cities, you are impressed with
the quiet self-possession of this Man; there seems to be no touch
of insanity about Him.24
A sparrow falls
and sickens and dies, and has as Comrade in its dying, God. When
that man bending to his toil, overwhelmed with it, bearing the burden
and heat of the day, wipes from his brow the sweat and dust of toil,
and with it some hair of his head, God has numbered that hair!25
The Pope of
Rome said the Luther ought to be in bedlam. The men of his own church
said Xavier was mad. All England laughed at the unutterable folly
of John Wesley. Many people thought William Booth was not quite
sane! It has run through the centuries.26
That little
bit of work you did this afternoon does seem rather old-fashioned
and out of date; that class of children that fidgeted all the while
is just a little behind the times, is it not? A thousand times No!
That is building for eternity and hastening the coming of the Kingdom
of God. That call you made that no one knows about save you and
the sick one, the flowers you took, the word of cheer, the tender
approach to a soul that asked how it was between that soul and God;
all that is Christly work.27
But let us not
undervalue the foolish, simple, wandering, restless methods; the
method that does things as they come and never draws up a program.
That is the whole story of the life and ministry of Jesus. He did
things as He went, as He passed by, as He went out, as He was by
the sea. In the midst of preaching somebody disturbed Him, and He
halted His preaching and went after Jairus; and on the way with
Jairus a woman touched Him, and He left Jairus on one side to attend
to the woman that went on again. He did the next thing that came,
because of those eyes the Kingdom was ever present. That touch of
the hand, that glance of the eye, and that tone of the voice, all
spoke of it and brought its power nearer. He was content to wait,
as He still is waiting, till His enemies be made the footstool of
His feet.28
Pictorial preaching
such as this does not need to be bolstered up by anecdotes, stories
and personal experiences. There is such vividness, movement, color,
and dramatic power about it that it holds interest and challenges
thought without further illustrative material. But Morgan did sometimes
use a poem, or a pointed story such as this one: "He received
sinners; sat down at the table and ate with them. He was the friend
of publicans and sinners. Let me tell you what so eminent a scholar
as Dr. Bruce once said about this. Speaking to Mr. Samuel Chadwick,
he said, You know, Chadwick, that word "friend" is
not good enough; it does not really catch the meaning of the word
behind it. Mr. Chadwick looked at him and said, What would
you put there? Well, he said, the fact of
the matter is, the only word that catches it is the word the boys
use"chum." He is the chum of publicans and
sinners. I tell you who said that as you might object to it if I said
it."29
F. B. Meyer created
illustrations by the use of his historical imagination. Speaking of
Moses mother, he paints this picture:
She was not
always on the qui vive for the step of officer or midwife. She would
take all ordinary precaution; but she would never give way to excessive
fear. Sometimes when her heart grew sick she would betake herself
to her knees, and plead the Divine promise on which she had been
caused to hope. The whole family lived on that womans faith,
as men live on bread; and Gods angels bent over the unconscious
babe, shielding it with their tenderest care, and whispering their
love-words into its ear. Finally, the mother was led by the good
Spirit of God to weave the papyrus rushes into a little ark, or
boat, coating it with bitumen, to make it impervious to wet. There
she put the child with many a kiss, closed the lid upon its sweet
face, with her own hands bore it to the waters edge, and placed
it tenderly among the flags that grew there.30
It all befell
according to the mothers faith. The princess, accompanied
by a train of maidens, came to the river bank to bathe. She saw
the ark among the flags, and sent her maid to fetch it. In the midst
of the little group the lid was carefully uplifted; and their eyes
were charmed with the sight of the beautiful face, whilst their
hearts were touched with the whimper of the babe, who missed its
mother, and was frightened by its unwonted surroundings and the
many strange faces.31
A beautiful example
of building up an event, in its own geographical setting, into a vivid
illustration is this one from Meyer concerning Moses and the burning
bush, Exodus 3:
Quite ordinary
was that morning as it broke. The sun rose as usual in a dull haze
over the expanse of sand, or above the gaunt forms of the mountains,
seamed and scarred. As the young day opened, it began to shine in
a cloudless sky, casting long shadows over the plains; and presently,
climbing to the zenith, threw a searching, scorching light into
every aperture of the landscape beneath. The sheep browsed as usual
on the scant herbage, or lay panting beneath the shadow of a great
rock; but there was nothing in their behaviour to excite the thought
that God was nigh. The giant forms of the mountains, the spreading
heavens, the awful silence unbroken by the song of bird or hum of
insect life, the acacia bushes drooping in the shadeless glarethese
things were as they had been for forty years, and as they threatened
to be, after Moses had sunk into an obscure and forgotten grave.
Then, all suddenly, a common bush began to shine with the emblem
of Deity; and from its heart of fire the voice of God broke the
silence of the ages in words that fell on the shepherds ear
like a double-knock: "Moses, Moses."32
On the expository
preaching scene today is Harold J. Ockenga. He uses variety in his
sermon illustrations, including personal experiences, for which he
does not apologize. In his sermon on "The Growth of a Church,"
based on I Thessalonians 1:2-4, he uses the thesis, "What were
the factors in this growth in grace?" This is followed by a simple,
alliterative, three-point outline:
Prayer
Progress
Predestination
We find him using
these illustrations:
The concept
of grace was the predominant thought in the ministry of John Henry
Jowett. His biographer, Arthur Porritt, says, "To Jowett redeeming
grace was the fulcrum of the evangelical message
. In a hundred
sermons he proclaimed it. All his wealth of imagery and illustration
was lavished upon this theme."33
I have often
felt, as a pastor, that I made a mistake in so abruptly breaking
off relationships to my previous church, which I had served for
five and one-half years. Under the mistaken notion that I ought
to leave the field free for my successor, I refused to have much
intercourse with the members and friends of the church by means
of mail and personal visit. Had I to do it over again, I would not
have pursued that course any more than St. Paul withdrew all interest
in the Thessalonian Church when he left that community.34
From time to
time God has privileged me to be used in sending young men into
the ministry. Recently a letter came stating the source and strength
and comfort which my own evangelical position has been to a young
man now in a pulpit of great prominence. I pray God that stability
and strength will always be mine so that those who have been led
into the ministry because of my own influence will find comfort
and courage in it.35
I count as my
personal friends many of the greatest living leaders of the church,
who are likewise loyal to the faith of Jesus Christ.36
Here was a helpless
church without teachers, without written Bible, without past experience,
and without knowledge. No wonder Paul was concerned about their
continuance in the faith. No wonder he prayed for them constantly.37
Several such
experiences I too have known under the blessing and grace of God.
One was the Mid-Century Evangelistic Campaign when the Lord did
so graciously a great work in Massachusetts and in New England.
Another was at St. John, New Brunswick, where a whole series of
churches could not contain the people who wanted to hear the gospel
and where scores and scores accepted Christ in a few days. What
God has done once, He can do again.38
Let past blessings
excite faith for future ones. This is the value of keeping a prayer
list. As you mark the answers to your previous prayers, you have
faith to ask God for greater things to come.39
Some men of
prayer found it essential to pray while they were kneeling, others
while they were lying on their faces, but talk to Him they did.
I know a man of God who also is well known to you all who usually
begins on his knees and before he finishes in prayer will have walked
up and down the room and finally have fallen on his face before
God.40
At Wesleys
home on City Road, London, one may see the room where he slept for
the last eighteen years of his life. Opening off that room to the
east is a little closet with a fireplace and a window. In it is
a table and a chair and a candlestick. Here is where John Wesley
prayed an hour each morning for his churches, his local preachers,
his converts, his sermons, and all the phases of the Wesleyan Revival.
When the sun came up in the east, John Wesley was on his knees in
prayer.41
Everyone wants
to be remembered and memory is a wonderful aid to prayer and good
works. When an aged parent becomes feebleminded and irresponsible,
many a child who has locked up the closet of memory puts such a
parent away, whereas he who will remember the works of love, of
provision, of faith, and of sacrifice made by that parent will be
led into good works in caring for him.42
The tree must
not only have the trunk and branches, but a root system which compares
in size to the trunk and the branches. Faith is the root; works
are the fruit.43
Christians have
been noted for taking upon themselves such redemptive labors which
are exhausting. Probably two of the best illustrations of this who
are known to any of us are Mrs. Julia Lake Kellersberger and her
husband, Dr. Eugene Kellersberger, who have the responsibility of
the American Leprosy Mission which is attempting to reach over 10,000,000
lepers with the gospel of Jesus Christ.44
Can we know
"I am of the elect"? James Denney said, "Election
has often been taught as if the one thing that could never be known
about anybody was whether he was or was not elect." Pauls
knowledge of their election came from what he had seen among them
and what he had heard about them.45
Here are thirteen
illustrations lifted out of one expository sermon. They represent
quotations, personal experiences, historical references, the Bible,
friendships, imagination, and the natural world. The creative imagination
can supply illustrations. See Chapter 8 on imagination. In concluding
this chapter, then, we can say that the expository preacher should
draw illustrations from all refined sources, beginning with the Bible.
He can well avoid books of "canned" illustrations or any
illustrations long worn out by overuse.
Chapter
7: Power Through APPLICATION
A discourse without application would not be a sermon
.
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